In the Scene
Bt: Where the boys are in Davao City
In its third incarnation as Bt, the MSM venue known as Boyz Town or Boys Town remains as Davao City’s (arguably) most popular MSM spot – somewhat of a big feat considering this place is nothing grand, but (simply) boasts an un-pretentious ambiance for hanging out and, yes, picking up.
“The party ends at 1:00 AM,” said Davao City-based NGO worker Mel, who agreed to party with us on my last night before heading out of the “durian republic”. “So says the manager, who said so said (Mayor Rodrigo) Duterte…”
We were in this small-ish MSM bar – with transwoman Jopay and self-identified bi Prime from Davao City’s Deaf LGBT group – somewhere along Jacinto Extension. Not too hard to find, if you know where you’re headed; though easy to miss, nonetheless, if you aren’t looking for it.
This is Bt, where – as Mel said – Davao City’s better looking and (this one’s important) “attitude-less” MSM hang out to be with “other PLUs (people like us).”
Ask any (self-respecting) Davao City-based gay or bisexual male, and he’d surely know where Bt is. This is because the “original” venue opened over 10 years ago, making this place the only such bar to exist this long. But this place has undergone numerous incarnations, though (despite the constant re-birth, and under different ownerships and managements at that, too) it is still widely known as BoyzTown/Boyz Town or Boys Town/Boys’ Town or, in its current form (and as the logo on the front door states), just Bt.
But, no, this isn’t a grandiose place.
It’s actually but a small place – a loft-like venue, with the downstairs area able to host over 50 people (tightly gathered together), and the upstairs area able to host 30 more people (also tightly gathered together). There are tables outside, too, for 20 or more people – though because of the 1:00 AM curfew, there are more who prefer to stay inside even if the place gets (too) packed (for it to still be comfy).
But exactly because it’s a small-ish place, is why many flock to it. People know people. They chat. They say hello. They smile. And for the too-obvious tourist like me (current state: long hair, so VERY non-clone-like for a gay person), they stare, craning heads to check out the “stranger” in their midst.
This is a community of sorts.
Of Davao City’s MSM.
They gather to catch up with friends – many tables surrounded by rowdy friends, speaking in a combination of Bisaya, English and Filipino, toasts made now and then.
They gather to let their hair down – many MSM with their female friends, perhaps out for a few drinks after a hectic day at work.
They gather to celebrate – no, not necessarily Pride, but just togetherness (e.g. there was an exclusive party on the upstairs area when I visited).
They gather to drink cheaply – whether they party with others, or just by themselves, MSM sure can spend P220 for a bucket (of SML or Ice Tanduay or Pale Pilsen).
And they gather to cruise – the “perving” that MSM do too apparent to be ignored, with the stares that won’t go away once targets are found.
There’s singing, too.
Bt is, after all, a singalong bar.
And no, good voice is not a prerequisite – particularly because just about everyone singing may already have had a drink or two by the time their r turns come.
But that they have fun, that’s apparent.
And yes, there were some cuties.
Prime, signing in Filipino Sign Language, noted one or two – who Mel then said are actually together. And then Jopay, right beside me, pointed one or two, too.
Cuties – let’s qualify – in the typical Muscle Mary-leaning kind of way (not that there were many Muscle Mary’s, mind you; but there were many posing as such).
But – alas! – before the party even started (for me, at least), the clock struck 1:00.
The party’s over.
The bar will have to be closed, or face Duterte’s wrath.
Which is weird for me, with the partying I know ACTUALLY starting at 1:00, NOT ending at that same time.
“The (local) law’s the law,” the nice shorts-wearing manager said, smiling somewhat… bitterly.
And it’s a bitterness I understand.
Because, yet again, what we do (in this case, gathering or partying, depending on how one looks at the coming together) is getting pushed underground.
And criminalizing something is NOT ALWAYS the best way to deal with what may be perceived as “bad” practices (even if, for us, it’s just partying, for Pete’s sake!).
And so we packed our bags (figuratively), chatted a while along Jacinto Street (even meeting Mel’s somewhat inebriated hubby), and then headed home.
Not surprisingly (perhaps because of the lack of gay space after 1:00 AM), many MSM still arrived while we were chatting – gathering in clusters while catching up with people they know, or like… or maybe both.
The boys coming together
Because, truly, in Davao City, it is at Bt where the boys really must collate.
Bt is at Door D, The Site, Jacinto Ext. corner Mapa St., Davao City.
In the Scene
UP Repertory Company to focus on LGBTQIA stories in opening of 47th production season
UP Repertory Company opens its 47th production season with DADA: The Chika Minutes¸ a performance of LGBTQIA stories.
This November, the UP Repertory Company opens its 47th production season with DADA: The Chika Minutes¸ a performance of LGBTQIA stories.
DADA: The Chika Minutes is a documentary theater performance of various narratives from the LGBTQIA community, exploring documentary merged with the company’s own art form, tula dula (a poem written in verse, acted out in mime). With 16 segments of a spectra of LGBTQIA narratives, DADA will be tackling the real life experiences of kids to OFWs to pageant queens to sex workers to community builders and activists.
“In this period of intense hate crimes, controversies and fake news about SOGIE, we bring the stories of the LGBTQIA you might have missed,” UP Repertory Company stated.
With the dramaturgy of Ligaya Sinfuego, additional choreography by Michelle Alde, and choreography and direction by Jasper Villasis and Malvin Ramos.
DADA: The Chika Minutes will be staged this coming November 28 and 29 (7pm) and November 30 (3pm and 7pm) in UP Diliman.
For details on tickets and show venue, contact Hillary Guevara at 0906 626 0900.
In the Scene
5 Reasons why you should consider watching PETA’s ‘Rak of Aegis’
We take another look at “Rak of Aegis” to see what makes this iteration worth it…
In the later part of 2012, PETA’s artistic director Maribel Legarda had a chat with Liza Magtoto about making a musical using the songs of Aegis (the group that gave Filipinos the can’t-be-escaped “Basang-basa sa Ulan”, among others). We know the approach re making of such a musical, of course; overseas, “Mamma Mia!” has been making waves (and lots of money) by using the songs of AbBBA; ditto “Across the Universe” that uses the songs of The Beatles.
Though that chat was – in a way – partly a joke, Magtoto said that the musical that “had a Pinoy soul in it” eventually came to life because: 1. if you’re a Filipino, there’s really no way to escape Aegis (Hello “Halik!”); and 2. if you listen closely to the lyrics of Aegis songs, you’d eventually understand why they “click” (e.g. “Basang-basa sa Ulan” has a line: “Ngunit hero, bumabangon pa rin”).
And so – eventually – “Rak of Aegis” came to life (the title a play at “Rock of Ages”).
That was around 2013, when the “rock comedy musical” was (first) rolled out. And now, for the Nth time, PETA is rolling it out again…
We take another look at “Rak of Aegis” to see what makes this iteration worth it…
1. Providing a “current” look at current issues…
“Rak of Aegis”, for me, remains relevant because it tells a story that’s valid on our times.
To start, there’s climate change, and how this particularly affects poorer places (say, a country like the Philippines).
“Rak of Aegis” tells the story of Aileen (and the people around her) who lives in Barangay Venizia, a place submerged in flood waters for two months already. The flood has already affected the livelihood of the locals (e.g. shoemaking); and is affecting other aspects in the lives of the locals (e.g. her mother has leptospirosis, a disease spread by contact with water contaminated by the urine of infected animals).
Though she works (as a saleslady, a contractual worker), Aileen falsely and blindly believes that their way out is for her to be famous (I’d say: “Welcome to this famewhoring generation”). So she kept trying to make a YouTube video to make some “noise”, hoping that the “likes” she gets will save her, her family, and the entire barangay.
Aileen eventually gets her wish, forcing the cause of the flooding (i.e. absence of a sewerage system in a nearby subdivision development) to surface; the enterprising spirit of people (e.g. holding a concert in a flooded area) to become apparent; and opportunism to be seen (e.g. surfacing of other wannabe celebs to follow Aileen’s footsteps)…
All these issues are “now” issues; and kudos for PETA for being able to roll them into a “rock comedy musical”…
2. A glimpse at intersectionality.
Yes, there are poor people. And poverty is NOT (only) because people are lazy. Their contexts need to be considered – e.g. access to education, access to opportunities, et cetera.
Yes, the Internet can help popularize issues; but keyboard activism – on its own – is NOT the solution. Being proactive in developing efforts offline/in the real/physical world is just as important.
Yes, opportunists abound (e.g. real estate developers that don’t give shit for the environment so long as they get ROI); but “kaput sa patalim” (that “opportunism” because people are left with no choice) is also existent (e.g. we put up with shitty proposals from those in power because… it’s not like we really have any choice).
All these – and more – are tackled (lightly or in-depth) by “Rak of Aegis”…
3. Worthy production…
PETA – being PETA – is expected to produce good shows; and this is no exemption.
Take the set design (by Mio Infante) that may look simplistic; but gives life to Barangay Venizia as a water-swallowed place (i.e. with an actual “flooded” canal in the middle).
The lighting (by Jonjon Villarreal) more than helps set the atmosphere of the scenes; it also – for me – highlighted specific moments/people worth highlighting. Think of the character Tolits (Pepe Herrera in the production watched for this review), who had more than one, two or even three breakout scenes; all of them emphasized by how well he was literally given the spotlight.
PETA’s facilities aren’t as big as, say, the Cultural Center of the Philippines (CCP). But that it was able to make the most of what it has is praiseworthy…
4. The cast, the cast…
When I first saw “Rak of Aegis”, somewhat-celeb Aicelle Santos was the lead (as Aileen), supported by the likes of Jon Santos (Fernan, the real estate developer); Kakai Bautista (Mercy, the mother); Isay Alvarez-Sena/Bayang Barrios/Jenine Desiderio (as Mary Jane, the barangay captain, and former GF of the father); and Robert Sean/Noel Cabangon (as Kiel, the father of Aileen). That this is a star-studded affair is… a given; so for stargazers, this is an opportunity to see these celebrated thespians performing.
Santos is still with the production, though Shaira Opsimar was the Aileen seen for the review. Adept in the role, Opsimar is unlike Santos; with Opsimar, she is easily “swallowed” by her bigger-named co-performers (e.g. Sweet Plantado-Tiongson, the Mary Jane in the production reviewed). This is not necessarily bad as it creates that sense of naïveté. But those wanting Aegis-like “birit” will remember more the co-stars Tolits (Pepe Herrera), Kiel (Renz Verano), and yes, Mary Jane (Sweet Plantado-Tiongson).
Others seen in the production reviewed were the somewhat tamed down Vince Lim (as Kenny, the former BF of Aileen); and eye candies/ensemble and scene-stealers Gio Gahol and Carlos Matobato.
As a unified whole, though, the cast of “Rak of Aegis” deserve to be seen.
From the comedic timing of Jewel (Ron Alfonso), to the agaw-eksena/secene-stealing singing of the likes of Mary Jane and Kiel, you have here a definite winner…
As FYI: The “older” cast members (e.g. Aicelle Santos, Kakai Bautista, Isay Alvarez-Sena, Bayang Barrios and Jenine Desiderio) are still performing; so if you’re extra picky, you may want to know beforehand who’d be going onstage…
5. Aegis songs – of course!
And then there are the songs of Aegis – e.g. “Halik”, “Luha”, “Basang-basa sa Ulan”, “Christmas Bonus”, “Munting Pangarap”, et cetera.
Ogie Alcasid – yes, the hubby of THE regime Velasquez – the president of the Organisasyon ng mga Pilipinong Mang-aawit (OPM), once said that “a show like ‘Rak of Aegis’ is an embodiment of what we have to do as Filipinos – suportahan, tangkilikin at ipagbunyi natin ang ating sariling musika.”
And he’s right.
Some may say that Aegis songs can be… baduy (slang for “in poor taste” or “unfashionable”). But that they tug at the hearts of those who listen to them is a fact. Though they may tackle of heartbreak, for instance, they also talk about getting back up; of resilience.
And this speaks so much of what makes us Filipinos.
In “Luha”, Aegis famously sang:
“Gulong ng buhay | Patuloy-tuloy sa pag-ikot | Noon ako ay nasa ilalim | Bakit ngayon nasa ilalim pa rin | Sana bukas nasa ibabaw naman.”
This is everyone’s hope, I suppose.
And with “Rak of Aegis”, well… you can get some sense of trying to be on top…
“Rak of Aegis” runs July 5 to September 29 at PETA Theater Center, No.5 Eymard Drive, New Manila, Quezon City, 1112 Metro Manila.
In the Scene
Vienna comes to Manila to celebrate pride, diversity and equality
Under the theme “LGBTQIA+ Greatness in Leadership and the Arts” the Austrian Embassy and its partners Frontrow Philippines and Love Is All We Need bring together Austrian and Filipino equality advocates from the disciplines of photography, visual arts, fashion and makeup, performance art, film and music in a celebration of diversity, unity and equality.
In the Scene
‘Kasarisarian’ LGBTQIA community cultural event slated in Lucena City on July 21-26
To “elevate the discussion about LGBTQIA Pride”, QZN Bahaghari and Guni-Guri Collective are hosting the 2018 iteration of “Kasarisarian” a cultural event, from July 21 to 26 in Lucena City.
To “elevate the discussion about LGBTQIA Pride”, QZN Bahaghari and Guni-Guri Collective are hosting the 2018 iteration of “Kasarisarian” a cultural event, from July 21 to 26 at the ESPASYO ART GALLERY, Quezon Avenue corner Trinidad Street, Lucena City in the Quezon Province.
Particularly for this year’s event, “we’re trying to elevate the discussion and the perspective on the current situation of the LGBTQIA people in the country,” said Aaron Bonette, co-organizer of the event. “We want to make Kasarisarian 2 a non-hierarchal exhibition invested in grassroots community organizing, and focused on radical queer narratives, visioning and politics. This means that the curated works will tackle and represent queer lives and struggles based on the current and past experiences of LGBTQIA people that are skeptic – from the looming commercialized cooptation of Pride to the glitter industrial complex to the failed political myth of equality through law, violence against LGBTQIA people and class hierarchy.”
The event will feature 15 artists based in the Quezon Province and two artists based in the Netherlands, including: Lans Lans, Elvira Bvlgari, Aaron Bonette, Syeril Powsa, Catsoup, John Van Vallesterol, Annita Remoroza, Aann Reynales, Jaymar Valdoria, Alliza Beth, Joma Importante, Skimmi Shimmi, Beatriz Rogas, France dela Paz, and Brian van Niehoff. Documentaries from Outrage Magazine’s #KaraniwangLGBT series will also be shown; as will Sunugin ang Aparador by Gio Potes, and Mark & Lenny by Gio Potes.
Bonette added that the annual Pride month celebration has just ended, and yet – over 20 years since the first such gathering in Metro Manila “the LGBTQIA movement does and spends more on branding rather than coalition building, with the mainstream LGBTQIA movement focusing on soliciting funds from corporation to run our cause; it’s almost like our rights have been bought, paid for and sold to the highest bidder no matter how anti-worker or neoliberal policy upholder that corporation is.”
In this sense, “the metaphor of being ‘treated like a piece of meat’ is valid, as if our bodies and identities are there to be exploited in the free market of commodification and oppression.”
Bonette said that they are cognizant that “corporate money also do some good for the community”, but that awareness is needed so LGBTQIA people also recognize that “there is something antithetical about a movement for equality and justice funded by the forces in the world that is also most responsible for widespread economic and social inequality.”
In the end, “we’d like to use this event as a venue to ask LGBTQIA people: What’s the future ahead of us? When our community is not yet united as a social movement that addresses the issues facing the most marginalized LGBTQIA people, with those fighting against systemic poverty, are we really making any progress? Or has the LGBTQIA movement, our movement, already hijacked by power elites advocating for their own interests?”
“Kasarisarian” is a term coined from: “Kasarian” which means gender, and (2) “Sari-Sari” for variety and diversity. It aims to provide queer (and straight) artists a non-commercial and an uncompromising space to tackle and explore various queer narratives, identities and politics.
This is a free event (yes, there’s no admission fee); though it is open for donations (during the event). Door will open at 1:00PM on July 21 and the program will start at exactly 6:00PM with a welcome reception, followed by the Artist Talk, film screening and cultural performances. This will run until July 26.
For more information, head to Guni-Guri Collective; or contact Aaron Bonette at aarnmssbntt@gmail.com or 0995-085-3664.
In the Scene
Looking for the southern rainbow charm
Las Piñas is booming, yes. But it still doesn’t have a lot of LGBT places. Ten to One Bar eyes to fill this gap as a “safe space” right in the middle of a still-largely residential location in BF Resorts in Las Piñas.
In the Scene
CAREDIVAS slated for special run from June 24-July 30
PETA and OWWA present a special run of CAREDIVAS – AN ORIGINAL PINOY MUSICAL that pays tribute to overseas Filipino workers (OFWs) as the present-day heroes of the country with performances beginning June 24 until July 30 at The PETA Theater Center.
Philippine Educational Theater Association (PETA) and Overseas Workers Welfare Administration (OWWA) partnered for the special run of CAREDIVAS – AN ORIGINAL PINOY MUSICAL that pays tribute to overseas Filipino workers (OFWs) as the present-day heroes of the country with performances beginning June 24 until July 30 at The PETA Theater Center.
CAREDIVAS – a musical drama about five transgender OFWs in Israel who work as caregivers in the morning and transform into drag queen performers at night – premiered in 2011. That year, the musical dominated the Philstage Gawad Buhay! Awards, bagging seven trophies, including Outstanding Musical Direction, Outstanding Musical Production and Outstanding Ensemble Performance for a Musical.
Caregivers, also known as home health or personal care aides, give assistance to people who are sick, injured, mentally or physically disabled, or the elderly and fragile. Their job description includes bathing and bathroom functions, walking and light exercise, plan and prepare meals, feeding, grooming, taking medication, and some housework like making beds and change linens, dusting and vacuuming, laundry and ironing. Caregivers also make and keep appointments with doctors, provide or arrange transportation and serve as a companion for their clients. Caregivers might need to lift clients into the bathtub, cars and into bed, and need strength. They help their clients engage in activities (games, memory books) and most of all, companionship.
CAREDIVAS revolves around the lives of kind and loving Chelsea, often-sarcastic group leader Shai, ditzy Thalia, bubbly Kayla, and the ill-tempered Jonee. While desperate to make ends meet, they also struggle to search for acceptance in a foreign land.
This time around, giving life to the major roles will be Melvin Lee (Chelsea), Vincent De Jesus and Ron Alfonso (Shai), Dudz Teraña and Jason Barcial (Thalia), Gio Gahol, Jerald Napoles and Ricci Chan (Kayla), Thou Reyes and Phil Noble (Jonee).
Supporting them will be Myke Salomon (Faraj, David, Daniel), Paul Holme and Leo Rialp (Isaac, Moshe, Yaakov, Club owner), Joan Bugcat and Gold Villar (Nonah), Eric Dela Cruz and Dom Miclat-Janssen (Avi, Aryeh, Pulis), Sherry Lara (Sarah, Adara), Eko Baquial and Joseph Madriaga (ensemble).
The artistic team of CAREDIVAS include: Maribel Legarda (director), Liza Magtoto (playwright), Vincent De Jesus (lyricist, composer, arranger, musical director), Leo Abaya (set designer), Jonjon Villareal (lighting designer), John Abul (costume designer), Carlo Pagunaling (assistant costume designer), Carlon Matobato (choreographer) and Gimbey dela Cruz (vocal coach).
CAREDIVAS will play every Friday (8:00PM), Saturday and Sunday (3:00PMand 8:00PM).
The restaging of CAREDIVAS is part of OWWA’s 35th anniversary celebration, “renew(ing its) commitment in promoting and protecting the welfares of OFWs”. Aside from this, OWWA is also “providing social, education and training, workers welfare assistance and reintegration program attuned to the needs of OFWs and their families”.
For inquiries and ticket reservations, contact PETA at (+632) 7256244 or email petatheater@gmail.com; or TicketWorld at 891-9999 or visit www.ticketworld.com.ph.
8 Tips for promoting men’s health
‘Kitilin ang diskriminasyon’
Sexual minorities continue to face discrimination, despite increasing support
2/3 of parents cite barriers in recognizing youth depression
Women with HIV at increased risk of early onset menopause
Virus characteristics predict HIV treatment efficacy with antibody treatment
First case of sexually transmitted dengue confirmed in Spain
Gay in space in Disney’s ‘Star Wars Resistance’ kids’ show
Surrounded by art
Improved support after self-harm needed to reduce suicide risk
Dumaguete City passes SOGIE equality ordinance
Being LGBTQ+ means nothing
Gay rugby team eyes to deconstruct beauty stereotypes with Greek-themed naked calendar
Religious Harmony Act of Singapore amended to list sexual orientation as protected ground against discrimination
UP Repertory Company to focus on LGBTQIA stories in opening of 47th production season
Taiwan holds first trans-specific Pride march
12% of new HIV cases in Phl in July are people who engaged in transactional sex
New intervention may help ease young children’s biases against gender-nonconforming peers
Long-term mental health benefits of gender-affirming surgery for transgender individuals
New HIV strain recorded under same group that caused pandemic
‘Kitilin ang diskriminasyon’
Surrounded by art
Divided US Supreme Court to decide whether Civil Rights Act should also protect LGBT workers
Coastal appeal
‘Labanan ang hamon ng buhay’
‘Practice what we believe without inciting hate’
‘Patuloy na itaguyod ang SOGIE Equality Bill’ – LGBTQIA activists
Perya ng buhay
The lone drag queen
‘Pride remains a protest’
-
POZ2 weeks ago12% of new HIV cases in Phl in July are people who engaged in transactional sex
-
POZ2 weeks agoNew HIV strain recorded under same group that caused pandemic
-
NEWSMAKERS1 week agoFacial recognition software has a gender problem
-
POZ1 week agoDeterminants of employability of people living with HIV
