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Crisaldo Pablo: The Storyteller

Meet Crisaldo Pablo, who searched for love, but – after making Duda/Doubt and then Bathhouse – found true love in making queer themed movies.

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Crisaldo Pablo
Filmmaker

FILM AUTEUR
Crisaldo Pablo has found a way to express himself, while expressing the gay community’s sentiments/issues/concerns – filmmaking, and so the local community has found a new way of expression.

Crisaldo Pablo remembers telling a 20-year-old guy he used to see he’d make a film about their relationship (and, opening his heart then to his now ex-boyfriend, about the boyfriend he had before him, a politician already married, though still a very active MSM).  “I took up Bachelor of Arts, (majoring in) broadcasting in the University of the Philippines in Diliman, Quezon City, and right from the start, I intended to be a writer/director some day,” he says.  But “years passed, and I learned that you have to be a kiss-ass person in order to make it in the industry; I was always shy and antisocial before, so I didn’t get the breaks (even if) I always got low budget projects now and then.”

Having been with GMA-7 since 1995, starting as a writer before becoming a segment producer, and then a head writer before finally directing (for i-Witness and Emergency, by 2002), “I conceptualized Duda/Doubt (his first film) while we (Pablo and the 20-year-old) were a few months from breaking up,” Pablo says, with the process continuing while he was “recuperating from a very turbulent relationship with (that) 20-year-old.”

Interestingly, the biggest challenge for Pablo at that time was not the recuperation, per se – “I couldn’t find a good ending to the movie in my mind,” he says.

“Fortunately or unfortunately, a secret was revealed to me by a friend, and it goes like this: (I helped my ex-boyfriend get a job in GMA-7, and) he was tasked to find stories na madalas ay sa probinsiya (that are often in the provinces). When he was sent to Iloilo, he met this guy and slept in his place – I discovered it a week later, and the guy and I became friends through text. Then in summer of 2002, after Holy Week, when I and my ex finally separated, I got a surprise text from that friend, so I called him to inform him that I broke off with my partner. He said that my ex was a foolish person because when he went to Iloilo, he admitted that he also went to my province and slept with my politician ex-boyfriend, and even asked him if he could stay with him there, and if he could find him a job in the town. That was it.”

The double betrayal became what “I thought would be a very good ending (for my first film),” Pablo says. And a very good ending it became, with Duda/Doubt now considered “a landmark in the Philippine cinema history as the first full-length digital video movie to be shown in local mainstream cinemas in its own original video format. It inspired all other indie filmmakers to make their own (films of this kind), and it also inspired Cinemalaya, Cinema One, et cetera.”

Pablo adds: “You see, all my life I have been searching for that someone special, but they all just left me empty. After making Duda/Doubt, and then Bathhouse (Pablo’s second film), and then all the rest, I actually found true love. And that is my love for making queer themed movies.”

Pablo has never looked back since, “making movies about my kind,” he says, thereby “becoming a queer advocate who intends to continue this for as long as I live.”

FACING DEMONS

“Film is very powerful. To be able to empower someone, a brother or a sister in the GLBTQIA community is worth all the challenges we faced in making queer-themed movies. When we feature topics and issues that concern us gays, we actually provoke our moviegoers to think for themselves in relation to the issues we present,” Pablo says. Thus, “I think one major boost that GLBTQIAs get from our movies and our pioneering our kind of movies is that, finally, people, especially in the film industry, realize that we are here and that we are powerful, so powerful that we can make way for movies made by queers and intended for queers (well watched). They saw our solidarity. They even saw the power of the pink peso.”
Things haven’t always been easy, of course, with “demons” blocking his way at one time or another.

Crisaldo Pablo: “You see, all my life I have been searching for that someone special, but they all just left me empty. After making Duda/Doubt, and then Bathhouse (Pablo’s second film), and then all the rest, I actually found true love. And that is my love for making queer themed movies.”

“My personal demon: I grew up longing for that someone special, and that has always been my priority. So, after my young ex, another guy came into my life, and, initially, it was great because he even helped me with Duda/Doubt. However, during my production and post production and screenings of Duda/Doubt, I was his physically and emotionally battered partner. It was the worst time of my life,” Pablo says, choosing, nonetheless, to see the positive side of that story: “It was also the best (time of my life) because I was able to make Duda/Doubt.”

Professionally, there were the “rejections from possible sponsors because of our queer theme,” Pablo says, highlighting how, when Duda/Doubt and then Bathhouse were released, “there were no digital video projectors in cinemas like Robinsons, and I couldn’t afford the rental rate of projectors. So I got myself a sponsor, which (even when they) already said yes, backed out a day or two before the scheduled screening of Bathhouse because they felt that our theme or content was inappropriate to their image. Sa takot ko, isinanla ko buhay ko sa kanila (I sold my life to them) by giving them 15% of our ticket sales share.”

Pablo believes that “there is discrimination, still, despite the fact that only gay movies rake in honest good box office results (other ‘wholesome’ movies pad their box office returns).”

Nonetheless, “I never saw myself doing anything else but making movies,” says Pablo, who is “also interested in science and electronics.” “I think everybody who has the guts, the preparation, and the passion will have an edge in this industry – but, please, for those who want to be in this industry just to be famous, try to do real work first.”

Pablo does what he does “because it is the thing that comes into my mind every day, and I do not see myself not doing it. I feel for every gay person of my generation who had to empathize with the female or the male characters who are straight and had to start from zero the moment they realize that they are something else. I am happy that we now have movies that portray the lives of gay men, and that they are movies where the lead characters are gay and the issues are somewhat gay.”

MAKING FAMILIES

“I never really asked myself what my gender was,” Pablo says, admitting that “I used to do women, too, and still do, but not very often; and I am not very proud to admit (that). But when I felt that I was more gay than straight, I started (looking for) for queer themed books first, and (did) researches. That was in 1992.”

All these years, Pablo realized that “what gives you peace is not just the coming out (process), although that is such a heavenly experience,” he says, considering that for him, “it was my movies that made me complete. I feel that I can be alone all my life and still be happy, because I am whole.”
Pablo adds: “But if someone comes my way, I will be glad to share life with him, no matter how short.”

Even with his somewhat pioneering efforts for GLBTQIAs, Pablo says he is hard-pressed finding anything inspiring in the GLBTQIA community [“Honestly, hindi ko masagot itong (I can’t answer this) question,” he says when asked what he finds inspiring about the GLBTQIA community]. “We love to criticize each other, and even I am not immune to that. In fact, some gays criticize my movies and then criticize me as a person, and announce to it to the gay community. But when you ask them to be specific about why they hate my movies, they can’t even explain themselves. Maraming kapatid natin ang makapagtaray lang, gagawa at gagawa ng eksena. Sana, magkaroon tayo ng respeto sa isa’t-isa. (Many of our peers pick on things for the sake of picking, and they make a scene when they do. Hopefully, we’ll all learn to respect each other).

To better the GLBTQIA community, Pablo believes “we have to start with the man in the mirror, as Michael Jackson once (sang),” he says. “Linisin natin ang ating mga sarili (We have to start with cleaning our own acts).”

Pablo is proud of his films – but he is, too, of “being the breadwinner of my family, having raised my sister until she finished her college degree.”

But Pablo is also proud of “having a family here in my office, where a few young gay guys who are not blood related treat each other as family,” he says, adding how he is looking forward to buying “a lot where I can build a compound, a mini-condo (done) the old fashioned way, with the first floor at the facade to be leased to offices, while the second floor will be for every single gay looking for a small room to rent, and the third floor will be for those students with talent or intelligence, who come from the province and cannot afford to rent even a bed space. When this is done, that will be one big wonderful family.”

"If someone asked you about me, about what I do for a living, it's to 'weave words'," says Kiki Tan, who has been a writer "for as long as I care to remember." With this, this one writes about... anything and everything.

People You Should Know

Living with HIV in Digos City

Meet Robin Charles O. Ramos, a person living with HIV in Digos City in Davao del Sur. There are numerous challenges there – e.g. they still have to go to Davao City for their laboratory tests, and get monthly supplies of life-saving ARVs. But they are starting to organize so PLHIVs can help each other.

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“We cannot deny the fact that there are people who will really discriminate us (people living with HIV),” said Robin Charles O. Ramos, who is based in Digos City in Davao del Sur in Mindanao, southern Philippines. “(But) think twice… before you discriminate because (everyone can be infected with) HIV.”

BI AWAKENING

Charles, 33, used to be only attracted to girls. But when he was nine years old, “I (was also) attracted to boys. I realized that I am attracted to both sexes.”

Charles’ family teased him for this. But he added that it’s not like they can prevent him from being bisexual; this “runs in the family,” he said, with other family members also LGBTQIA.

“It was somewhat difficult for me to come out,” he said. This is because he lives in a “relatively small community (where people know me).”

Digos, a 2nd class city and the capital of the province of Davao del Sur, has a population of only 169,393 people (in 2015).

But Charles eventually told others, realizing the relevance of being true/honest to oneself. “I know it (may not be easy) but… the community will (eventually) understand who and what we are.”

FINDING OUT ABOUT HIS HIV STATUS

On November 30, 2017, Charles found out he has HIV.

Prior to the diagnosis, he recalled having bad health – e.g. his cough wouldn’t go away, he had lymph nodes in his throat, he easily got tired/stressed out, and he had recurring fever. He self-medicated, “taking paracetamol” and antibiotics.

“I lost a lot of weight,” Charles recalled, “from 56 kilograms to 48 kilograms.”

At that point, his mother told him: “It’s time to rush to the hospital.”

The attending physician had Charles undergo more tests… including HIV antibody test.

The person who gave him the news about his HIV status was “actually a friend of mine.” In fact, he pre-empted the counselor from telling him the result; “I told her myself, ‘It’s positive, right?’.”

EVERYONE CAN BE INFECTED

Even before then, Charles actually worked in HIV advocacy.

So the person who gave him the news about his HIV status was “actually a friend of mine.” In fact, he pre-empted the counselor from telling him the result; “I told her myself, ‘It’s positive, right?’.”

That was also “mind conditioning” for him, he said. “I conditioned my mind that I’m positive already… it’s a way of acceptance of the matter.”

Right there and then, Charles opted to tell family members. And they had one question for him: Why him, considering he’s in HIV advocacy, and should know better?

“Anyone can be infected,” Charles said to them.

“Think twice… before you discriminate because (everyone be infected with) HIV.”

BEING OPEN ABOUT LIVING WITH HIV

If there’s one thing Charles said that’s good about being out, it’s being able to get external help as needed.

“I lose nothing by coming out,” he said. And for him, “PLHIVs need to come out… as a strategy for us to eradicate stigma and discrimination.”

At this stage in his life, “I don’t care if they talk about me. This is already here. Just accept it.”

Charles is also a teacher, and he opted to tell his supervisors and peers about his medical condition. This honesty paid off since “they support me.” His workmates always remind him to “not be stressed” and “have time to rest”.

HIV-RELATED ISSUES IN DAVAO DEL SUR

HIV screening and/or testing is, at least, accessible to the people of Digos City, said Charles. The social hygiene clinic (SHC) of the local government unit (LGU), for one, offers this; and “every time we conduct (gatherings) about HIV, there is HIV testing (given).”

It is the access to life-saving medicines (the antiretroviral treatment, or ARV) that is problematic.

“Here in Digos City, ARV is not yet available,” Charles said.

And so PLHIVs from there have to go to the Southern Philippines Medical Center (SPMC) in Davao City, which is 62.5 kilometers away (or approximately an hour of commute).

If there’s one thing Charles said that’s good about being out, it’s being able to get external help as needed.

Many of the PLHIVs from Digos City go to SPMC together, renting a van to take them to and from Davao City for their regular tests and ARV supplies.

A related issue: PLHIVs have to go every month because they are only given a month’s supply because of procurement issues. The usual practice is to give PLHIVs supply for three months. And – even if the Department of Health denies that there are issues concerning ARV supplies – at least the Digos City experience highlights the continuing difficulty with accessing life-saving medicines.

The dream for PLHIVs like Charles is for a refilling station to be established in Digos City to serve not only those living there, but also the nearby localities of Kidapawan City, Davao Occidental, et cetera.

EMPOWERING THE HIV COMMUNITY

Charles recognizes that many try to help PLHIVs, but he also thinks that empowering PLHIVs to help each other is essential.

“We have formally created a group: Bagani Southern Davao,” he said. The name was derived from the word “Bagani”, the peacekeeping force of the Manobo tribes and other indigenous groups in Mindanao. Akin to the word, “we’re warriors; we’re fighting against this illness.”

There are currently 20 active members; though, of course, not all PLHIVs in the area are members.

The dream for PLHIVs like Charles is for a refilling station to be established in Digos City to serve not only those living there, but also the nearby localities of Kidapawan City, Davao Occidental, et cetera.

To other PLHIVs in the area, Charles said he recognizes that it may take time before they can decide if they’d come out. “I respect (this) decision… But coming out as PLHIV is a way of educating people that they shouldn’t fear us, and that (having HIV) isn’t the end of our lives or the end of anything.”

As PLHIVs, he said, “we have more to offer, more to do” particularly in educating people.

And to non-PLHIVs or those who do not know their HIV status: “Know your status. Get tested. And stop discriminating people. It’s not like we wanted this to happen to us. But this is already here. We just need your support, and the respect that we want because we’re still human beings.”

“I lose nothing by coming out,” he said. And for him, “PLHIVs need to come out… as a strategy for us to eradicate stigma and discrimination.”

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L.A. musician and author Ross Victory gets candid about blackness, masculinity and bi-sexual heroes

Author and musician Ross Victory uses his story to entertain readers while pulling back the curtain of the under-, mis- and total lack of representation of bisexuality—black bisexuality—in social discourse. Without a community to fall back on to process pain and trauma, holding intersectional identities can create tension stemming from not being seen, heard, or believed.

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Paulo Freire said, “The oppressed, instead of striving for liberation, tend themselves to become oppressors.” 

How often do our storylines, the narratives that make our life experiences unique, get lost in broader social discourse? How often does the oppression we encounter on our path compete with the oppression experienced right next to us? 

We need not look very far for the proof of patriarchal, misogynistic, racist, homophobic structures that provoke nationwide protests in America. #BlackLivesMatter, #Loveislove, #MeToo are cultural moments that reveal the United States’ ache for progress, and the public’s willingness to create new systems that support and uplift disadvantaged groups. 

Societal progress is slow. All too often, an experiencer’s oppression requires evidence to be accepted as valid. As a black or indigenous person of color, as a woman, as a bisexual in a straight/gay binary, or as a part of any disadvantaged group, each generation strives to do better than the last.

  • In 2020, George Floyd and BLM protests have pushed forward laws to prevent police brutality. 
  • In 2020, The Supreme Court has upheld the Equal Employment Opportunity Commission protections that prevent employers from firing individuals based on their sexual orientation and transgender status.

Author and musician Ross Victory uses his story to entertain readers while pulling back the curtain of the under-, mis- and total lack of representation of bisexuality—black bisexuality—in social discourse. Without a community to fall back on to process pain and trauma, holding intersectional identities can create tension stemming from not being seen, heard, or believed.

Panorama: The Missing Chapter tells the story of two men of color, both bisexual, who bond together to escape familial dysfunction. The book observes race, masculinity, and orientation by taking readers on a fast-paced, cerebral journey through South Korean temples and Brazilian cartels. 

Victory both bites and soothes readers with memories that pop off the page like scenes from a film. Despite his hilarious descriptions and the irony he dresses as salaciousness and intellect, there are underlying expressions of resentment that grow as the book progresses.

Victory, the principal character, suggests that being black and visible as bi-sexual is not for the spiritually weak. 

Victory says, “Being black, you normalize being on high alert with police or employment interactions. Sometimes you catch a microaggression and have to decide if you have the energy to confront it or let it go. Then there are interactions where people say, “you’re different than other black people,” or “you’re incredibly articulate.” I was called the N-word once by someone on the street in LA, and even black people have described my blackness as “white-washed.” 

He continues, “Bisexuality, as an identifier, can be a double-edged sword. The mention of bisexuality can activate a damaging reflex from both straight and gay people of all races. You are immediately put on the defense. People instinctively have 21 questions and lose manners. I understand it’s not me, and it’s their idea of being bi, but those interactions make me feel that society needs to be categorized differently. There were black heroes to cling to, but no visibly bisexual heroes and surely no black bisexual heroes.”

Survey data from Stanford University and the Pew Research Center reports that “Bisexual adults are much less likely than gays and lesbians to be visible as bisexual to the important people in their lives.” Victory, and Alvi, a Brazilian immigrant, also bisexual, compare notes on the discrimination and stereotypes they’ve faced that may personalize Stanford’s research. 

“People under the bi umbrella (notably bisexuals and pansexuals) are the only segment of people whose attractions are multi-gendered,” Victory says. “That’s hard to understand if you believe your attractions to be singular…Naturally people who aren’t bi cannot fathom what that means. Some who do understand tend to uphold bi women as ‘more’ valid that bi men, both of us still subjected to patriarchy that reads: bi women are for men’s pleasure, and bi guys simply do not exist—if they do, it’s in proximity to gay men who were initially bi-curious. The double speak is wild.”

Both men, Victory, and Alvi, identified their bisexuality as virginal pre-teens without words to acknowledge how they felt. After years of trial and error, they learned that being open was not in their favor. Victory points to an African American religious and hyper-masculine Hip Hop culture that made his bisexuality hard to verbalize and accept. Alvi, despite being an immigrant of color, had a less challenging path.

Panorama gives readers an insight into the complex nature of the oppression that bi men face: the idea that they cannot commit, that their bisexuality is a choice or is preference-based, being hypersexualized by gay men, and being a topic of contention for straight women. “Between what I’ve experienced and also seen on YouTube, when you know you can “pass” as straight, why bother saying anything?! People want authenticity if it accounts for their biases. But I physically got to a place where I couldn’t erase myself anymore.”

“Bisexuality, as an identifier, can be a double-edged sword. The mention of bisexuality can activate a damaging reflex from both straight and gay people of all races… I understand it’s not me, and it’s their idea of being bi, but those interactions make me feel that society needs to be categorized differently. There were black heroes to cling to, but no visibly bisexual heroes and surely no black bisexual heroes.”

According to the Bisexual Resource Center (BRC), approximately 40% of bisexual people have considered or attempted suicide. The Human Rights Campaign has cited bi-erasure and biphobia as the leading causes. Heteronormativity is real, and straight people do not think about being straight, regardless of being sexually active. However, when someone who is not straight identifies themselves, they tend to be pegged as oversharing or sexualizing unnecessarily. 

At around nineteen years old, Victory writes that he began to experience heightened stress and mild depression. Victory links the period to the same time he discovered the word bisexual, began asserting it, then learned to suppress it.

Victory says, “There was a sense that being a man, a ‘real’ man, is based on how homophobic you can be. Don’t act feminine, bully feminine guys, don’t speak about same-sex attractions, don’t be sinful, and if you are doing some gay sh*t, definitely don’t speak about it. When you can pass as straight, you hear a lot of problematic stuff from men and women.”

Oppression is interlocked, but to be a healthy person, one need not split themselves into parts. Victory states that black people tend to support each other because we are all experiencing racist systems in this country. Men support each other based on cliques, ego-affirming activities, and female conquests. Bisexuals feel invisible because we chameleonize or get pigeonholed based on our partner’s sex. For example, I am the only visible bi person I know, but I am defaulted to straight.

Victory suggests that we need more stories that show the scope of bisexuality. Bi virgins, bi people in same-sex relationships, bisexuals in different-sex relationships, poly bisexuals, elderly bisexuals, celibate bisexuals, and more to show people the range of experiences that have gone invisible for too long. Representation will help society to learn not to pre-judge by the person’s relationship status and feminine or masculine qualities, and to break bisexuals away from explicit and promiscuous connotations. According to GLAAD’s inclusion report of 2018 & 2019, Director of Entertainment Research, Megan Townsend, stated that “Television still has work to do when it comes to telling our [bi] stories. Bisexual+ women far outnumber bisexual+ men on every platform.”

Ross Victory suggests that we need more stories that show the scope of bisexuality: bi virgins, bi people in same-sex relationships, bisexuals in different-sex relationships, poly bisexuals, elderly bisexuals, celibate bisexuals, and more to show people the range of experiences that have gone invisible for too long.

Not all is bleak. Victory closes Panorama with relief for readers who may relate to his story or have been triggered to look at themselves. Victory concludes the book artfully and soulfully. He uses inclusive language and employs the “divine masculine” and “divine feminine” to make a case for personal liberation. He underscores the importance of grace between humans, even those who harm us, by encouraging readers to build bridges between thought islands and to be the change they seek.

He suggests that all intersections—racial, ethnic, religious, sexual, gender, ableism, wealth, etc. —exist to be connected by bridges. Victory says, “Real men are bridge builders. Yes, society gives us labels – straight, bi, gay, black, white, Asian, etc.; labels are realities and come with certain connotations. But could you imagine if we men prioritized a commitment to buildto build each other up no matter the labels we inherit? Can you imagine if we congregated around how to reduce anger and heart attacks? Can you imagine how healthy we would be and how safe women would feel interacting with us?” Paulo Freire warned that, yes, the oppressed become oppressors, but also that peace is found through dialogue and language.

Victory image and words remind us that alienation can be a bona fide lesson in self-love. After the back-to-back loss of his dad and brother, he understands that all he can do is build the best he can, and let the rest go.

The last two pages of Panorama include mental health resources and articles to support people with multi-gendered attractions, their families, and friends.

Head to https://rossvictory.com for more information.

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VP Robredo extolls LGBTQIA community’s spirit; recognizes a lot of work still needs to be done

Vice President Leni Robredo expressed her support to the LGBTQIA community, even as she acknowledged that a lot of work still needs to be done, including passing an anti-discrimination law that will protect the human rights of LGBTQIA Filipinos.

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Screencap from the Facebook-uploaded message of VP Leni Robredo to the LGBTQIA community

Vice President Leni Robredo expressed her support to the LGBTQIA community, even as she acknowledged that even as the LGBTQIA community marks June as Pride month, a lot of work still needs to be done, including passing an anti-discrimination law that will protect the human rights of LGBTQIA Filipinos.

In a messages posted on her Facebook page, Robredo noted the uncertain times. “many of the things we once cherished and held on to are now being questioned and challenged,” she said in mixed Filipino and English. “Sa kabila nito, marami pa ring bagay ang di nagbabago at nagpapatuloy: tulad ng ating laban para sa patas na karapatan, dignidad at kalayaan.

Robredo noted that “for many decades, the LGBTQIA+ community has been tirelessly fighting for equal rights and representation at the frontlines. It has provided a shelter to the oppressed, a voice to the marginalized, and a family to those who have been abandoned by their own communities. Ito ang dakilang ambag ng LGBTQIA+ community sa ating (b)ayan.

She added: “Sa bawat Pride March na inyong inoorganisa, isang teenager ang mas nagiging proud na yakapin kung sino siya. Sa bawat awareness campaign na inyong sinisimulan, isang komunidad ang mas nagiging bukas ang isipan. At sa bawat pagpiglas ninyo sa tangkang pag-agaw ng ating mga kalayaan, isang bayan ang mas natututong lumaban.

There are – nonetheless – members of the LGBTQIA community “who hold positions of power in our society”, such as lawyers, executives, doctors, educators, artists, policymakers and public servants. The VP hopes that they will “use your influence to change mindsets, promote acceptance, and push for reforms on the ground. Now more than ever, we need to set an example to the younger generation. Ipakita natin sa kanila, na wala silang dapat ipangamba at na malaya silang maging kung ano at sino sila,” Robredo said.

The VP similarly recognized that teaching people to open their minds may be challenging, but “huwag sana kayong panghinaan ng loob.”

She suggested doing small steps to push for Pride, including forming support groups; reaching out to the needy; and introducing concepts re SOGIESC to relatives who may not be well-versed on the same.

Darating din ang araw na babalikan natin ang lahat ng ito at sasabihing, everything was worth the effort. Everything was worth the sacrifice. Everything worth the fight. Push lang ng push, mga besh,” Robredo added.

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Miss Universe 2015 Pia Wurtzbach voices support for LGBTQIA community

Pia Wurtzbach said she’s making a stand so “that our friends and family in the LGBTQIA community have the right to take up space in our society… that their voices should be heard, that we don’t invalidate trans women as women.”

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Screencap from the Instagram account of Pia Wurtzbach

Miss Universe 2015 Pia Wurtzbach voiced her support for the LGBTQIA community.

Via an Instagram post, Wurtzbach said she’s making a stand so “that our friends and family in the LGBTQIA community have the right to take up space in our society… that their voices should be heard, that we don’t invalidate trans women as women.”

She added: “We can learn to accept these concepts by having a dialogue. By listening and understanding our differences. we will grow and uplift one another as one community in strengthening equality and diversity.”

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Learning is always a two-way process.. we listen as we understand each other’s points of view. This #PrideMonth, we stand for the rights and advocacies of the LGBTQIA+ community. 🏳️‍🌈 Being an ally is someone who gives a sense of a safe and affirming space for our loving community… Let’s provide higher platforms for community members to openly discuss issues and concerns that affect us. 🙏 Here we can discuss our differences and remind ourselves that we are together on this journey, and achieve our shared goals for equality. ❤ . I know we may differ in opinions today.. but our constant discourse will make our tomorrow better because we understand one another better. This will also enable our broader community, especially those with differing views, to ponder on things that matter to our fellowmen. . Let me just make a stand that our friends and family in the LGBTQIA+ community have the right to take up space in our society…that their voices should be heard, that we don’t invalidate trans women as women. We can learn to accept these concepts by having a dialogue. By listening and understanding our differences.. we will grow and uplift one another as one community in strengthening equality and diversity. 😊🙏❤ Happy Pride! 🥰🏳️‍🌈

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Wurtzbach’s statement of support came after she co-hosted an online discussion involving Kevin Balot, who was crowned Miss International Queen in 2012. Balot reiterated her segregationist perspective, saying that when transgender women ask to join beauty pageants traditionally only for those assigned female at birth, “hindi na siya equality eh, parang asking too much na (this is no longer about equality; it’s already asking too much).”

In her Instagram post, Wurtzbach said that even if people had different opinions, it’s still important to provide platforms for community members to openly discuss “issues and concerns that affect us.”

For Wurtzbach, “this will also enable our broader community, especially those with differing views, to ponder on things that matter to our fellowmen… [O]ur constant discourse will make our tomorrow better because we understand one another better.”

This isn’t the first time Wurtzbach expressed her support to the LGBTQIA community.

In 2017, for instance, she called out the Philippine Drug Enforcement Agency (PDEA) following a drug bust involving 11 men in Bonifacio Global City. “Because of what PDEA and the news outlet have done, some people are now associating drugs and immorality with being gay. It’s ridiculous,” she said then.

In 2018, she urged decision makers to address the causes that put young people at risk of HIV.

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‘Riverdale’ actress Lili Reinhart comes out as bisexual

Lili Reinhart – from “Riverdale” – announced that she is a “proud bisexual woman” in a post on Instagram.

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Screencap from Instagram

Lili Reinhart – who plays Betty Cooper in “Riverdale” – announced that she is a “proud bisexual woman” in a post on Instagram.

Reinhart’s revelation was linked with her post that she would be attending an “LGBTQ+ for Black Lives Matter” protest in West Hollywood in the US. Underneath a poster for the march, she wrote: “Although I’ve never announced it publicly before, I am a proud bisexual woman. And I will be joining this protest today. Come join.”

Reinhart dated co-star and onscreen partner Cole Sprouse, who played Jughead in “Riverdale.” The two had recently split.

Visibility, obviously, matters.

Earlier in June 2020, a study noted that those who have seen LGBTQIA representation are more accepting of gay and lesbian people than those who haven’t (48% to 35%). They are also more accepting of bisexual people (45% to 31%), and of non-binary people (41% to 30%).

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Emma Watson speaks out for trans rights after J.K. Rowling’s transphobic comments

“Trans people are who they say they are and deserve to live their lives without being constantly questioned.”

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Screen capture from the Instagram account of emmawatson

Emma Watson – who played Hermione Granger in the “Harry Potter” series – is the latest actor to speak out in support of transgender rights after author J.K. Rowling made controversial comments on Twitter that were deemed transphobic.

On June 6, Rowling posted a tweet equating womanhood with being able to menstruate.

When called out, she seemed to own up to the TERF (trans-exclusionary radical feminist, or women who claim to be feminist but do not believe transgender women are female). She also backed her perspective via a lengthy post that cited a study criticized for its transphobic bias.

Claiming to have read “all the arguments about femaleness not residing in the sexed body, and the assertions that biological women don’t have common experiences, and I find them, too, deeply misogynistic and regressive,” Rowling wrote. “Women (are told they) must accept and admit that there is no material difference between trans women and themselves… But, as many women have said before me, ‘woman’ is not a costume.”

Watson appeared in all eight of the big-screen adaptations of the books by Rowling. By expressing her support for transgender rights, she joins former costar Daniel Radcliffe (who played Harry Potter), and “Fantastic Beasts” star Eddie Redmayne who also voiced their disagreement to Rowling’s warped thinking and defense.

“Trans people are who they say they are and deserve to live their lives without being constantly questioned or told they aren’t who they say they are,” Watson tweeted.

In a subsequent tweet, she added that she wants “my trans followers to know that I and so many other people around the world see you, respect you and love you for who you are.”

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