This is part of #KaraniwangLGBT, which Outrage Magazine officially launched on July 26, 2015 to offer vignettes of LGBT people/living, particularly in the Philippines, to give so-called “everyday people” – in this case, the common LGBT people – that chance to share their stories.
As Outrage Magazine editor Michael David C. Tan says: “All our stories are valid – not just the stories of the ‘big shots’. And it’s high time we start telling all our stories.”
“As long as there are LGBT advocates who will fight tirelessly for the advancement of our advocacy, things will get better.”
So said 19-year-old Ian Jaurigue, a self-identified “gender advocate”.
And Ian believes that “(the older generation) did a good job when it comes to working for the advocacy, and we need to learn from their experiences and be grateful for it. If they did not start it, the advocacy would not have had moved forward.”
But while recognizing the efforts of those who helped start the movement, Ian also recognizes that there are gaps. And these gaps are not helped by the “disconnect” between his generation and the one before it.
“The struggles may have evolved and revolutionized, but we, the younger generation, still need to reflect and learn from what they have accomplished,” he said. Only “by doing this (will we be helped to) have a stronger grasp of our advocacy.”
Also, even if the LGBTQI movement has reached new heights, according to Ian, the young advocates today still have a lot to do; and for Ian, this is “not just talk and rant about (the issues).”
“It is nice to know that there are already a lot of people who support us. But it does not mean that we should settle for these little triumphs. As long as there is still inequality on the basis of one’s SOGIE, our call and our fight should be stronger,” Ian said.
Incidentally, Ian is also a freelance makeup artist, theater and indie actor, dancer, a student at U.P. Diliman, and… a drag artist. He is known in the drag community as – plainly – Mrs Tan.
“My style is a mixture of dance, comedy, and theater,” Ian said.
Though he is still new in the world of drag, Ian believes that the way he carries himself and how he performs onstage prove that “age is nothing but a number”.
Ian merges his advocacy with his performances, making sure that “every performance brings a certain message and not just a spectacle. I like the feeling when I’m able to give a deeper message to the audience while I’m performing,” he said.
His first foray into the world of drag was when he joined U.P. Samaskom’s Live AIDS. Ian took on the role of a drag queen. But he felt, during that time, that “drag should be more than what I did in Live AIDS; there should be meaning to it.”
Whenever he performs, “I feel a sense of fulfillment and liberation. I’m not just entertaining people, I’m also giving them something to think about. There is pride to it.”
For someone as young as Ian, “Pride is both a celebration and a revolution.”
On the one hand, it is a celebration of the LGBT community’s diversity, accomplishments, and ongoing contributions. But on the other hand, “Pride is also a protest for the members who are not able to take advantage and enjoy their basic human rights, and for those who have died because they are members of the LGBTQI community,” Ian ended.